The Beat Nation

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Bollywood Music- A Distinct Musical Genre

May 28, 2018
Vaishali Adwant

Most of the Bollywood music over decades sums up to love songs and sad songs with a dash of Indian classical meets urban background score. Bollywood music is distinct and has a unique tonality. A cult in itself Bollywood still needs to explore vast music genres and go beyond love and sad themes, minus the sing-dance songs. What Bollywood has given its audience is a motley of various music genres, yet remains in its nascent stage. Lyrical and poetic in nature, Bollywood lyrics are poetry in motion, sometime deep, sometimes skimming on the surface.

Talking of music of the Hindi cinema, classics were composed without a lot of background score. There was more singing and less of noise. The mainstream music genre that appeals to masses in India has a cusp of qawwalis,pop, disco, folk, and ghazals. Bollywood music relies heavily on poetry.

Lovingly called PanchamDa, R.D Burman composed evergreen retro hits wanting to make you live through that era over and over again. His songs had spunk of the 60’s and 70’s and the element of joy and happiness. The romantic and dance numbers had an urban twist for retro songs pictured in simpatico settings. Using, most of the musical instruments of the Indian origin, he created magic in the retro Bollywood music.

Lakshmikant-Pyarelal duo composed Bollywood music using folk and rock and roll style of composition. Using a mix of western and Indian instruments, they created melodies that can never get old or outdated. One of the distinct styles of the duo was to combine Indian and western stringed instruments and create original melodies in singing and dance sequences. Not as celebrated as other legendary composers, Bollywood songs composed by the legendary duo rocked the 70’s and 80’s era through the 90’s era. Could you ever get bored of Jumma Chumma from Hum movie composed by the duo? Most of the songs played in the popular radio program of the yesteryears- Binaca Geet Mala played most of the songs of this legendary duo.

Bappi Da brought disco to India and reigned in this genre creating a portmanteau of Bollywood meets disco. You can still have some fun listening to his compositions starring Mithun Da and Anil Kapoor. If you are a millennial and still live in the 90’s, most of the songs that remind you of your days of yonder were composed with a western style by Jatin-Lalit, Annu Mallick, and Nadeem-Shravan.

You can learn Indian classical as a distinctive musical genre, but you cannot specifically learn Bollywood style of singing unless and until you have a base of Indian classical music. A.R Rahman has not composed a lot of Bollywood songs, but the niche that he has created has a signature style of his composition. He is a music director, a true legend, who goes beyond Bollywood music, and explores various genres, to create melodies and symphonies that are magic to the ears.

Pritam, Vishal-Shekar duo, Salim-Suleman duo ushered the 21st century of Bollywood music that has been a cusp of EDM, house and pop music. Today what you hear is not the authentic Bollywood music that the legends of the yesteryear’s had created. The compositions today in Bollywood are assorted genres, and lack purity. They sound mellifluous, but lack the purity is apparent compared to the authenticity of music in the 60’s and the 70’s Bollywood music. That was the era of awakening. Music all over the world was awakened taking you to different realms, and so did Bollywood create its mark in music with these celebrated musicians.

Musicians are too limited in exploring musical genres and stay limited to boundaries of safety net that brings them commercial success. There should be no guilt attached to making music commercially viable. But then again, lack of experimentation in music and lyrics in Bollywood is an epidemic without a cure yet.

The only hope remains is with the musicians and composers of the new wave and new generation who I hope still give regard and pay respect to the classics and do not forget to explore.

 

 

The Original Voice of Bappi Da Lahari and All Things Funny

February 7, 2018
Vaishali Adwant

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Bappi Lahri, who is the bhanja of the legendary Kishore Kumar has an uncanny original voice. With a world record of recording 180 songs, this is the man with a golden voice and accessories. The musician who had created Disco with Mithun Da and got MJ to India. So nice, like Kuman Sanu he does not copy Kishore Da though he is so bloodly related to the Legendary Kishore Da.

Coming from a family of singers, he has introduced Bollywood to the sound of ‘Disco.’ The jodi of Mithun Da and Bappi Da is everlasting you will not khisko during the disco.

Tamma Tamma- Original version is so mindblowing!! but then again… Yeah tamma tamma kya hai? yeah tamma tamma? Hello anybody? what does tamma tamma mean?

Tamma tamma doesnt mean anything( I did a google search just to know). sooo expected…but that is Bollywood…you should never ever try to find a meaning.

Bollywood ko samajh ne ka galati se mistake nahi karne ka…Dimag ko side me rakhne ka..aur yenjoy karne ka…

Anil Kapoor iconic dancing style adds to the zing of the Bappi Da song. Simple tune, and pure entertainment, watchable even today. With these head gears and lighting wale kapde..Diwali yaad rahi…if you were all this and rome, but who dares wear such gabs, iconic of that era, but so dead wrong, yet so enjoyable and amusing.

Disco Dance- Look at that headgear..could you ever make something like that and shine in the glory…Every piece of this song is a marvel. There can be no other disco dancer like what Bappi Da and Mithun Da made. If I feel sad, I can simply wear this headgear and laugh at myself…this song has all elements of offbeat comedy and music put together, making it paisa vasool entertainment even today. What a rabchik jodi this is na…arre wah wah wah, arre wah wah wah..

Excuse me, bandage lagake gana nahi gaate kya? If this act had been put in todays age, this madness would cross all the boundries of dramas of what even a saas bahu serials have to offer. Wounds clean karke gana gaao miya,

Some pelted stones in this song, or was that before…so? use dettol bandage and sing na re….

Tennu Le

This song could do without the Engleesh lyrics…kahe ko angreezi thoos thoos ke barte hai gaane me…when it can do without it…but, this song is nice, na…whaaat say…

 

 

 

Govinda- The Original Dhinchak King of Bollywood

February 6, 2018
Vaishali Adwant

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Bollywood likes dhinhak! period. That is the USP of Bollywood! and only we desi people understand the significance of dhinchak entertainment that makes Bollywood stand for what it is, and so is the music. If you are the one looking for serious, heavy-duty stuff, most parts of the Bollywood ain’t for you!! Nobody understands ‘mass appeal’ better than Bollywood does.

Govinda has given the paisa-vasool song and dance sequences that will keep you entertained no matter what era you belong to. With thumkas and jhatkas better than twerking of Miley Cyrus, Govinda entertainment is evergreen and there is no match for that.

Virar ka chokra has brought to you offbeat entertainment. Nobody can do it like Govinda does. His style is uncanny. There can be no other Govinda.

 

Why Nobody Sings K.L Saigal-(The King of Cringe Pop) Songs in Reality Shows

November 11, 2017
Vaishali Adwant

Funny as it may seem, nobody ever chooses to sing K.L Saigal songs in any of the music reality shows. This legend has been a pioneer in earning the title of Superstar. It’s easy to be¬† superstar when there is no competition. Well, that might just be the case with this legend who got lucky. If you listen to his songs today, you would rather listen to Dhinchak Pooja. This man, the legend is the King of Cringe Pop from the yesteryears.

If you have nothing better to do on a weekend, and want to have a good laugh, watch some K.L Saigal and troll. Sad, that nobody even cares to sing any of his songs anymore. Any cringe worthy fans here? Hello Hello?

Oh Duniya Ke Rakhwale, Aise Logon Ko Kyoun Banaya?

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